From a sketch to full orchestration


I had an idea for a piece of music that was going to be challenging to write.

The concept for the composition was going to be how each decision, every action we take has a potential opposite outcome; how a thing can have two possible fates.

I wanted a stable bass-line with two completely different melodies sitting on top of it.

I wanted the piece to sound like two parallel universes singing next to each other.

I started off writing a simple sketch for the idea, just using a violin, a piano and a drum. Here it is…

Once I’d finished the sketch I wanted to have a go at orchestrating it. I’m very new to orchestration and honestly, I barely know what I’m doing but I could hear in my head how I wanted it to sound, as if all the notes were already there – I just had to find the right mental code to unlock all the sound so I could fully hear it.

I love the process of orchestration. I begin by thinking about the colours and textures of the music and how I’d want it to feel if I could touch it and feel its curves and rough edges.

I wanted the piece to morph into a different feeling and this was a good way to practice transitions (I am rubbish at transitions).

So here it is. I imagine it as a theme for a film noir. A dark thriller about a beautiful spy who isn’t all that she seems. Imagine the cinematography by Gordon Willis!

Anwyay, I really hope you like it. It was top fun to do.

Want to hear some of Emma’s voice work? Click here.

Want to hear more music? Click here.

Very stupid out-takes

after the vox conference

On Work

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Emma Clarke

Emma is an award-winning voiceover, broadcaster and writer. Want to find out more about Emma?
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